We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Summer Moon

by There Will Be Fireworks

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £9 GBP  or more

     

  • Record/Vinyl + Digital Album

    Deluxe double LP version of Summer Moon. Pressed on 180 gram classic black vinyl with a gatefold sleeve. Includes lyrics sheet and original artwork by Gibran Farrah.

    Includes unlimited streaming of Summer Moon via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 10 days
    Purchasable with gift card

      £28 GBP or more 

     

  • Compact Disc (CD) + Digital Album

    4 page digipack on Matt lamination finish with 12 page booklet, printed 4/4 on 150g art gloss

    Includes unlimited streaming of Summer Moon via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 10 days
    edition of 300 
    Purchasable with gift card

      £12 GBP or more 

     

  • Full Digital Discography

    Get all 8 There Will Be Fireworks releases available on Bandcamp and save 35%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of No Christmas Bells / This Christmas Is Forever, Summer Moon, Something Borrowed, Classic Movies, Ash Wednesday [Alt. Version], The Dark, Dark Bright, Because, Because, and There Will Be Fireworks. , and , .

    Purchasable with gift card

      £20.15 GBP or more (35% OFF)

     

1.
Well this year is wearing thin — can’t believe the state I’m in. I go crashing round the house. I lie sparkled on the couch in the television light. I am not myself tonight; I have heard the poets sing (and they don’t know anything). But the summer moon is up and I’m starving for your love, so I go out in the night and I walk forever. (But I come home.) I tell you all my favourite songs. I tell you where it all went wrong; how quickly days now turn to nights, how I’m haunting my own life. All the hopes that summer built: smoke machines and Catholic guilt. So I sing you Sparky’s Dream and I try to remember. I’m coming home. I’m all worked up. I’ll keep your secrets. I won’t mess this up. I will be there when the summer’s over. I will be there when the sky turns red. I will be there when the summer’s over. I will bring a love as stern as death.
2.
I have seen a century of loss. I have loved you in the morning (I never count the cost). It hasn’t all been bad and it will be good again. As sure as our tide goes out, it will come in again. And that’s okay. I set my seal on your silhouette at dawn. I remember the feeling — it hasn’t ever gone, though all our wild young years like summer swifts have flown. Do you still see the boy you loved or a man you barely know? I am sweating out this fever. I am holding back the dark. Let me lay here for a moment. Let the morning light stream in while our daughters sleep so soundly. Let the world begin again. I am singing out my joy now. I am telling you the truth: you’re a match struck in the darkness; you’re a summer in full bloom, holding back the dark.
3.
Bedroom Door 01:37
I’ve never felt this way before — got claw marks on my bedroom door. I know they’ll be there in the morning. Yes, I just need a little space, a little time, a little faith, and to tell myself the sky is still not falling. So don’t say it don’t say it don’t say you want to leave. I’d come over unannounced, I’d get down on my knees. Because there’s a time and there’s a place and there’s a love you can’t replace, and my hollowed heart is here if you still want it.
4.
Today we sleep in late. The day reveals its face. Where are we now? A lifetime on the run from the world to come, and now it’s bearing down. December’s coming fast. At least, if not at last, you were on my mind. The secret silver kept, the records you collect: the things we leave behind. It comes around and love will tear you down. And didn’t I? A dove burst into flame. I’ll never know its name. (It will know mine.) You there in your white dress. A love as stern a death has been on my mind. No fickle fleeting thing, no hazy summer fling — give me everything. And whatever song I sing with this broken battered thing won’t make sense at all. It comes around and love will tear you down. And didn’t I?
5.
Now last night’s blood is dry, last year’s love is on my mind. I go howling round the streets. I was all the rage, never knowingly upstaged. The city shimmered like a sea. And now my head’s a wreck; I wear the past around my neck and hold it up in front of me. And all that waiting, incessant, in the hospital fluorescence. I mouthed a silent prayer I barely believed: Our Lady of Sorrows, are you praying for me? See I begged, stole and borrowed but I never shook free. There’s something in the darkness — it’s staring at me. Will it be here tomorrow, Our Lady of Sorrows? I turned my friends away, I slept through New Year’s Day. I should have called; I should have told you that, that you were honestly different — the brightest thing existent: a great white moon in a bold black sky. I tried and tried. Our Lady of Sorrows, are you praying for me? See I begged, stole and borrowed but I never shook free. There’s something in the darkness — it’s staring at me. Will it be here tomorrow, Our Lady of Sorrows? (Darkness, darkness, I can see that burning bridge inside of me. Who called your name? Who let you in? Who said I need you for a friend?) Our Lady of Sorrows, are you praying for me? See I begged, stole and borrowed but I never shook free. There’s something in the darkness — it’s staring at me. Will it be here tomorrow, Our Lady of Sorrows?
6.
Dream Song 04:28
I am the half-light on the bay I am a nameless autumn day I am a song that’s never sung I am a door slammed shut I am a city made of smoke I am the fear when you’re alone I am a bell that’s never rung I am flat out of luck Is this what you want? Is this what you want? Does this moment feel familiar? I am the snow between your brakes I am the sound your silence makes I am a dream you can’t recall I am a warning sign I am the name upon your tongue I am a voice from kingdom come I am the tree before the Fall I am a lost coastline Is this what you want? Am I what you want? I am the half-light on the bay I am a nameless autumn day I am a song that’s never sung I am a door slammed shut I am a city made of smoke I am the fear when you’re alone I am a bell that’s never rung I am flat out of luck Is this what you want? Is this what you want? (Never going to make it back home.)
7.
Do you remember those nights that summer? Man, I passed by your old place — it brought it back. You loved those old-time tunes (the kind your old man sang to you) but now they only make you sad. So we were young then. The night was warm, the air was still. We drank beneath the high white moon And you said, “Love is strange. It gives to you what you can’t take, and then it leaves you far too soon.” For what it’s worth my heart remembers how it hurt the day you went away. I hope you found what you looked for; I hope that joy has found your door. I guess I wanted to say I hope you are okay. Where did the time go? The years have passed like birds in flight. One day you’re young, the next you’re not. But I still see your silhouette against the trees and hear your singing in my dreams. For what it’s worth my heart remembers how it hurt the day you went away. I hope you found what you looked for; I hope that joy has found your door. I guess I wanted to say I hope you are okay.
8.
So love, do you recognise me? Am I still the boy you saw in that basement in that summer? Are you sure of all that we were sure of? Do you lie awake at night wondering who’s this by your side? And we’ve changed in one hundred different ways, but my heart still beats the same. It’s coming, coming, coming: the day when this present pain will fade, when we will be okay. It’s coming, coming, coming. Something borrowed, something blue, something broken now made new. There’s a ring around the truth and I feel it too. When there’s no one else around what was lost can now be found in sheets of snow upon the ground. So love, do you recognise me? Am I still the boy you saw in that basement in that summer? And we’ve changed in one hundred different ways, but my heart still beats the same. It’s coming, coming, coming. It’s coming, coming, coming. I hear the notes all bending. There will be time and time and time for every summer’s ending, for every life you dream at night. Somewhere in deathless darkness waits every hope and prayer and plan, unanswered by the silence — all our tomorrows on our hands.
9.
I remember you in that vivid blue, in our salad days, like a dream I knew would be over soon (and that’s what made it seem so beautiful). Do you remember me? I was staying gold. I was still in tune. I was coming up. I was making moves. And the summer moon in the summer sky was a perfect thing. I never wondered why. There will be no more counting curses; I will pay my debts in the life I have left. I should be running now but it won’t let me go. It won’t let me go. This year has been a slow defeat [I dream, I wake, in hands I hold] and I don’t know what’s up with me. [a loss, a wake, we hope, we pray.] Everything I touch just turns to stone. [A hope, a dream, a home.] When you’re on your own, when the winter’s rough, when the love that’s left is the realest stuff and in autumn leaves pile the passing years and you wonder how you found yourself here: soon the birds will fly, soon the trees will grow, soon the bells will ring, soon the moon will glow. And that summer moon in that summer sky will be a perfect thing on a perfect night. (On a perfect night.) There will be no more counting curses; I will pay my debts with the life I have left. I should be running now but it won’t let me go. It won’t let me go. This year has been a slow defeat [I dream, I wake, in hands I hold] and I don’t know what’s up with me. [a loss, a wake, we hope, we pray.] Everything I touch just turns to stone. [I dream, I wake, in hands I hold a loss, a wake, we hold a hope, a dream.] You’re not alone.
10.
In the season of my silence: red and violet light, the western sky ablaze, and Glasgow gleamed beneath the Cathkin Braes. Will this shadow ever leave me? Does my heart again deceive me? Restless days and endless nights — they’re all the same. There must be something in the water. There must be something in the wine. Have I been wasting all my time? (All my time.) Is this sorrow now shot through me? Classic movies beamed into a boyhood room. In the television light a flower bloomed. And it’s been so long. And in this season of my sadness: who would have this shadow of a waxwing slain? An old machine that dreams itself awake. And would you love me or haunt me? This gathered storm of fates. I bolt the windows closed and wait for days. It was only us, just the two of us. I held you in my arms. Tinseltown — in love — Coming through the stereo. And those sea-grey eyes saw the morning light. (Saw the morning light.) There won’t be an open door, can’t go through it any more. I have been around this town; I have seen it all by now. It was only us, just the two of us. I held you in my arms. I held you in my arms.
11.
So long, sundown, time to turn this thing around. All the friends I’ve ever known, all like summer swifts have flown. But the light hits the stone of the tenements at dawn, and my heart it still fills up: it’s approximately love. I’m a wreck, I’m a ruin, I’m a thread lost to the loom. Fix my tie and fix my hair; shake me out of this despair. Grab my coat, leave my drink, take me home, don’t let me think. I am tired of make believe. Make the sun come up for me. Those old familiar eyes are pulling on my heart strings. Just wait and give it time — the art of doing nothing. And you, Star of the Sea, won’t you spare some light for me? Still the storm and hush the wind. Say my luck is coming in. At the end of this gloom there’s a garden in full bloom where the Wild Mountain Thyme sings to sleep my little lights. Those old familiar eyes are pulling on my heartstrings. Too late I realise I have all I need. So please give me a sign: a weird eclipse or something. Just wait and give it time — the art of doing nothing.
12.
So I came to see you one cool clear night. “It’s been a while.” (It’s been half a life.) “So how’ve you been?” “Keeping busy too.” And “How’s so and so?” And “Did you hear the news?” Still the sirens sing, still the west wind howls, still there’s magic in this old grey town. But you can’t undo what time has done — the second city’s setting sun. For the loves you’ve lost, for the friends you found: a parting glass raised to the sound of a long-lost scene, and the nights that gleamed back when you were you and I was me. They lit us up in electric lights and the basements glowed in the August night. A rooftop walk, a lost weekend, the painted moon, the sky was red. Now the summers come and the summers go. We’re not growing up; we’re just getting old. And some of us kept the dream a dream. Some were strong and some were free. And some of us walk a real rough road, and there but for the grace I go. You knock on wood and you hope and pray that you’ll be spared another day the pale white face — the sorrow that you know will be your fate. Love won’t come with a blinding light, a thunder crack, a lightning strike. No, love it comes unannounced, silently and slow. You wake one day and you know it’s there in the way she moves; in the way her hair falls across her face, and the way you notice that. I could tell you things I never told a soul. I’ve been dreaming of those nights in Glasgow. Open up your arms and let me fall; I can barely stand at all. The pale white face — the sorrow that you know will be your fate.
13.
Bloody Mary 02:35
Come home. Lift those eyes: the mirror and the flame. The same air and the same sky, but everything has changed. It’s not like there’s a bad sign on the rise. (Did you say her name three times?) It’s not like there’s such a thing as fate. You can make your own way. Whatever this life brings, at the end of everything I want to hear you sing.

about

“And we’ve changed in one hundred different ways, but my heart still beats the same,” sings There Will Be Fireworks’ Nicholas McManus on ‘Something Borrowed’, a billowing mid-point to their stormy and storming new record, Summer Moon. It’s a pertinent sentiment for a band that has indeed changed in so many ways, but whose new work can be traced directly to that which came before, so many years ago now.

The Glasgow five-piece return this autumn with their first album in a decade: the melodic and musically rich Summer Moon. Consisting of a near-hour of brooding indie rock, the album is built upon a collective determination and conviction that has led to the band’s most dynamic and accomplished release to date.

With work on the record beginning back in 2016, Summer Moon is a labour of love; the band carefully constructing its thirteen songs both remotely and in person, before recording at Gargleblast Studios in Hamilton, Scotland alongside engineer/producer Andy Miller (Mogwai, De Rosa, Life Without Buildings).

Where 2013’s The Dark, Dark Bright found There Will Be Fireworks on the cusp of adulthood, Summer Moon finds them in suitably reflective mood, ten years older and in the throes of marriage, fatherhood, love and death – and the weight of all those things is portrayed beautifully throughout the album. “Summer Moon has been written from a perspective that's ten years older,” McManus explains, “with wives and kids and mortgages and careers, and people close to you starting to die. There is a weight brought by all of that, I think.”

Underpinned by the band’s trademark melancholy, Summer Moon never fully gives into the darkness, still carving out moments of light; finding magic in Glasgow’s tenements and lanes and basement venues, and finding hope in glistening eyes and in love – in all its terrifying power.

This melancholy is sharpened by the band's musical progression. With more than 15 years’ experience under their belts, and an increased confidence in their abilities, the performances here are assured and exploratory. The shimmering squall of guitars is still there, of course, but Summer Moon is propelled by a rhythm section that feels more powerful and expressive than ever before. Analogue synthesizers – including a vintage Italian string synthesizer – add new depths to their sound and the Cairn String Quartet lends the record a sense of musical freedom that is resoundingly alive. “Our preferences and influences have evolved, our habits have changed,” McManus explains of the band’s evolution of sound. “We are much more purposeful in our arrangements. If we’re going to go heavy now, we’re going to go heavier than we have before, but it needs to be earned.”

And so textures are zoomed in on, close enough to see all the pieces being gently put into place, and then, in the blink of an eye, we’re ascending, up and out above Glasgow’s orange-light dark-night glow, a crescendo of sound carrying the band to new heights.

Nostalgic at its weary core, but so often bracingly vibrant, it might have taken There Will Be Fireworks ten years to get here, but Summer Moon reminds us that, even as the years roll by, as the seasons come and go, some things are worth hanging on for.

- Tom Johnson, Gold Flake Paint

A beautiful distillation of the group’s previous work ... Summer Moon is ultimately a record of optimism. Soaked to the skin by Scottish rain but convinced it’s a passing shower.

- Clash

Summer Moon immaculately distils a sense of maturity, crucially, without having to forgo any of the vitality that swarms the Glasgow outfit's earlier work.

- The Skinny

credits

released November 3, 2023

There Will Be Fireworks is Adam Ketterer, David Madden, Gibran Farrah, Nicholas McManus and Stuart Dobbie

All songs by There Will Be Fireworks

Lyrics by Nicholas McManus

Artwork and photography by Gibran Farrah

Strings by the Cairn String Quartet (Annemarie McGahon, Kirsty Main, Gillian Grant and Rebekah Lesan)

Recorded, engineered and mixed by Andy Miller at Gargleblast Studios, Hamilton, Scotland

Mastered by Cicely Balston at AIR Studios, London, England

© There Will Be Fireworks 2023
the imaginary kind

license

all rights reserved

tags

about

There Will Be Fireworks Glasgow, UK

Making music at a glacial pace since 2007. Still alive.

theimaginarykind.bandcamp.com

contact / help

Contact There Will Be Fireworks

Streaming and
Download help

Redeem code

Report this album or account

If you like There Will Be Fireworks, you may also like: